He draws a silk scarf from a secret pocket in his trousers – snakes
it around wrists, splits in two, twists it taut, like her vocal chords,
places it over her eggshell eyelids, then offers his hand -white-gloved –
bowing low, he lets loose the stolen jewels lining his jacket.
She accepts, blindly – curtseying into the citrine shaft of spotlight
that slices the stage in half, then footsteps into the dead-flat box,
arranges herself -doll-like- inside, before he lays the wooden lid
to rest. Until now he has kept her for himself, hidden in the folds
of his second-best hat-box, fed on a diet of sliced tongue and pearl
cufflinks. The ritual begins before the stage door, before the audience,
the dressing room – where he inserts the knife into her velvet and feathers,
plucks her hair into tucks and tresses, places a glass slipper on her pillow –