Monthly Archives: January 2019

Two poems by Miranda Lynn Barnes

I am not a silent poet

He showed me the film

of a woman whose tongue had been cut out,
so she could never tell, and whose hands
had been cut off and replaced with branches,
and he told me how I should be thankful
for what happened to me, the experience of it,
like his friend, the tiny blonde ecstatic
in her swings, who once, saturate in mania
had said that she was blessed.

He said, it was “beautiful, so beautiful,”

and it was beautiful, the cinematography
a panning sweep into the swamp
where she motioned with the antlers
she had for wrists, her face the agony
of hopelessness, the deep red wound
of her mouth, round in its lack
of voice, while they gleefully took
everything from her mute and mutilated
body;

oh, but beautiful, beautiful—
the cream-coloured dress, the layers of fabric
trailing in dirt as they perched her
atop the stump…

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At Your Feet by Ana Cristina César, reviewed by Clara B. Jones

I am not a silent poet

At Your Feet
Ana Cristina César
Katrina Dodson, Ed.
Brenda Hillman, Helen Hillman, & Sebastião Edson Macedo (translators)
2018
Parlor Press
$14.00
103 pp

cesar150Reviewed by Clara B. Jones experimenting with book review form…

“In literature, it is only the wild that attracts us.” Henry David Thoreau

Who is the author? Ana Cristina César (1952-1983, suicide*) was active in Brazil during the 1970s. Her work has been categorized as avant garde, a term usually reserved for visual artists and writers who are active politically, usually, in leftist groups or movements. According to Brenda Hillman, César was born and raised in Copacabana, Rio de Janeiro, in a religious, middle-class family. Conducting research on “Ana C,” as the poet was called in her circle and among her followers, I did not discover that her formative years were marked by trauma or dysfunction. However, in an academic paper, Lúcia Villares (1997, Portuguese…

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Wombwell Rainbow Interviews: Cathy Bryant

The Wombwell Rainbow

Wombwell Rainbow Interviews

I am honoured and privileged that the following writers local, national and international have agreed to be interviewed by me. I gave the writers two options: an emailed list of questions or a more fluid interview via messenger.

The usual ground is covered about motivation, daily routines and work ethic, but some surprises too. Some of these poets you may know, others may be new to you. I hope you enjoy the experience as much as I do.

51w1v8+gDhL._SX323_BO1,204,203,200_

Cathy Bryant

has won 27 literary awards, including the Bulwer-Lytton
Fiction Prize and the Wergle Flomp Award for Humorous Poetry. Her work
has been published all over the world in such publications as Magma, The
Andromeda Spaceways Inflight Magazine, and Stairs and Whispers. She
co-edited the anthologies Best of Manchester Poets vols. 1, 2 and 3, and
Cathy’s own books are ‘Contains Strong Language and Scenes of a Sexual

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Wombwell Rainbow Interviews: Paul Sutton

The Wombwell Rainbow

Wombwell Rainbow Interviews

I am honoured and privileged that the following writers local, national and international have agreed to be interviewed by me. I gave the writers two options: an emailed list of questions or a more fluid interview via messenger.

The usual ground is covered about motivation, daily routines and work ethic, but some surprises too. Some of these poets you may know, others may be new to you. I hope you enjoy the experience as much as I do.

parables

Parables for the Pouring Rain, (BlazeVOX, December 2018)

Paul Sutton

was born in London, 1964, but brought up in Hertfordshire and Wiltshire. He graduated from Jesus College, Oxford, worked in industry until 2004, then left to travel, and now teaches English at a secondary school. He finds this environment stimulating – the joys, rages and stresses are exactly the spurs needed for writing. And the insight gained is revealing…

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Wombwell Rainbow Interviews: Jeffrey Side

Someone else who found Bob Dylan a tremendous influence on their writing!

The Wombwell Rainbow

Wombwell Rainbow Interviews

I am honoured and privileged that the following writers local, national and international have agreed to be interviewed by me. I gave the writers two options: an emailed list of questions or a more fluid interview via messenger.

The usual ground is covered about motivation, daily routines and work ethic, but some surprises too. Some of these poets you may know, others may be new to you. I hope you enjoy the experience as much as I do.

signs that do not signal cover image

Jeffrey Side

has had poetry published in various magazines such as Poetry Salzburg Review, and on poetry web sites such as Underground Window, A Little Poetry, Poethia, Nthposition, Eratio, Pirene’s Fountain, Fieralingue, Moria, Ancient Heart, Blazevox, Lily, Big Bridge, Jacket, Textimagepoem, Apochryphaltext, 9th St. Laboratories, P. F. S. Post, Great Works, Hutt, The Dande Review, Poetry Bay and Dusie.

He has reviewed poetry for Jacket, Eyewear, The…

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break it any flow of air, by Reuben Woolley

(::::::::::::::::::::::::::::(a poem for brexit)

………………………
patiently
comes a tide
………………………now

………………………a stinking mouth

& we do move like dead
whales

leave a harsher
voice ………………..a wet &
………………………….straining

permanent they say
a poor song
& not in silence
does she sleep

Five Visual Poems by J.L. Kleinberg

I am not a silent poet

America

america 1348because

because 1422How can we

how can we 1477What is

what is 1649wary

wary 1452..

Artist, poet, and freelance writer, J.I. Kleinberg is a Pushcart nominee and winner of the 2016 Ken Warfel Fellowship. Her found poems have appeared in DiagramHeavy Feather ReviewRise Up ReviewThe Tishman Review, HedgerowOtoliths, and elsewhere. She lives in Bellingham, Washington, USA, and blogs most days at: thepoetrydepartment.wordpress.com.

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The Theatre and its Double, by Paul Sutton

I am not a silent poet

Outbreaks of cultural madness are not unusual.

Our elite encourages, and then participates.

Rumours of impending starvation and pustular diseases – kept hitherto at bay by our imperial overlords – are announced in all non-fake media outlets.

As in Cavafy – though internally – the barbarians are about to grab power, with a return to pre-Cambrian levels of public comfort and safety.

The artistic community – noted for its diversity and independence of thought – unanimously co-operates.

Screaming mobs and toddlers parade through the capital’s streets, dressed as enormous genitalia daubed gold on blue.

Older citizens are whipped with foreign meats and told to die.

Bankers throw gold from their windows, homeowners wrap houses in clingfilm, media courtesans harangue non-degree holders.

Salvation is only conceivable through “a deal”.

With bodily fluids preparing to erupt, gesticulating bubo cover the bodies of politicians.

Our Head of State leaps into the Thames and…

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